Five Feet Apart dwells on the emphasis of survival surfacing its rhythm aesthetically grounded in emotions

Still from Five Feet Apart

The moments we dream, we look around we admire the colours that surface our belongings, its ecstatic, its gleeful, its us who make them beautiful. We make promises to never let go, the beautiful and the closest thing of our life but it’s the saying- “Time overshadows the most valuable assets of your life, and as you wake up to reality it’s gone". We dwell into the surface of underlying emotions only when they are gone, gone forever, essence leaves from its body, emptiness surrounds the space leaving it void eventually. We are no one to question death, we are mortal, who knows we are just one inch away from losing the body that carried dreams, life and morality to its existence. Its distinctively grim to carry on our death on our shoulders, waiting each day to end and let the body to leave to soul from the painful abyss reality where we ponder our hearts waking each day to hold out nerve and to solace our soul that “Not Today’, its harsh, it’s the dilapidated reality where we exists and slay ourselves against the time to live for the light of hope and a new morning with the ray that touches our body like a blessing to live that day and to see the colours that define the pieces of our life. The pain and anguish are poignant but its ecstatically beautiful where we open our eyes with the best of our glee to live once again.

We are surrounded by death, but our heart is strong to let it go and live the moments that define our existence, but some way or the other it holds us tight, dwelling us to leave the mystical taste if life. It’s the disease that never lets you sleep but once its upright, the sleep is eternally peaceful with the rhythm of broken glasses perpetuating around the lost soul. We are just Five Feet Apart from losing conscious and one foot apart from losing our soul through the ashes of grim reality.

Director Justin Baldoni surfaces the symbolically lyrical journey of human touch and the beauty that dwells into it, in a brilliantly ecstatic rhythm evoking emotions of losing hope yet centres around the smaller attribute that contribute around life. Losing hope is never the safe road, we lose it we travel back to the common road but if we move forth, we live the pieces with eternal glee on our face. The director builds the world surfacing pain yet throwing light on the earthly grounded elements of life that are small but raw and flavourful.

  

Five Feet Apart paints the portrait of emotions through the characters of Will (Cole Sprouse) and Stella (Haley Lu Richardson), clinging the tone of survival through hardships of death that overshadows their existence. It dwells into the skin of two youngsters who are caught up with Cystic Fibrosis (CF), hereditary diseases that affect the lungs and eventually reduces the survival rate and thus perishing the body from the edges of life. Its brilliantly crafted and the tone and rhythm of the movie kept real and raw to its core extent, its dark and dives through the harsh abyss reality questioning the morality yet surfacing love and affections for each other. Even though life pushes us onto the death bed there are beautifully crafted moments to admire the subtle aspect of existence. Whereas Will wants to hide away from the mystical chords of life, Stella wants to live every piece of herself until the next morning it overshadows her soul. She puts forth subtly a light of affections and the wrath of care for the passing moments and thus what evokes is a sweet yet poignant journey to love through the reflection of each other five feet away from the real self. The Supporting Cast dwells into the rhythm effortlessly holding the strings uptight and sailing through the ship of hope without falling apart.

Sustaining its brilliant approach throughout its running time, the strings were getting loosened up at parts, leaving the pieces of fall thereafter, the director idealised the surrounding in a utmost predictable tone thus leaving the layers of emotions narrowing through. The characters and their sense of affection towards each other although regarding the flaws, were beautiful and subtly brilliant leaving tears onto the face as the characters perish away from the screen. It has heart into it, it brilliantly fetches the soulful aesthetics of joy to escape from the confined space that is empty and dim and to run through the road to see the light holding the hands, to see the star shining bright over the sky that evokes quest to live every pieces but its life and we are human, so have to let go the loved ones.

Five Feet Apart cherishes the moments of hope over death and dwells its subtext with layers of emotions that pens the morality of human touch which is indeed the most beautiful and the first thing we admire when we come out our mother womb, its touch and its their fingers we grow up holding. Its approaches the tone of The Fault in Our Stars in its structure yet elevates itself much real and raw from its core emphasis. Dive into the 1 hour 52 min ecstatic journey to live through the pain with colours of glee sprinkled over its surface.